Events
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How Women Claim their Rights on of off Screen
December 2, 2022
Homework: Film Production and Cultural Exchange at Kanoon, (Institute for the Intellectual Development of Children and Young Adults), 1965-1989
November 18, 2022
From Defense to Intervention: Iran-Iraq War Cinema in a New Millennium
October 28, 2022
Hauntologies of the Present: Notes on Politics of Friendship in Férydoun Rahnéma’s Modernism
September 16, 2022
“Salaam Mumbai”: Pasts and Presents of Exchange and Collaboration Between Indian and Iranian Cinemas
May 6, 2022
Underground: The Secret Life of Videocassettes in Iran
April 29, 2022
New Iranian Horror: Theorizing an Emerging Trend in Iranian Cinema
April 22, 2022
How Frightening Your Makings: Epidemics, Mass Metamorphoses, and Bodies of the Iranian New Wave Cinema
March 11, 2022
From Mehrin Negar to Tara: The Evolution of Female Protagonists in Bahram Beyzaie’s “The Snake King” (1966) and “The Ballad of Tara” (1978-9)
February 18, 2022
Iranian Women Filmmakers: A Cinema of Resistance
December 3, 2021
Relaying Cinema in Mid-century Iran
November 19, 2021
The Soundscape in Diasporic Iranian Cinema
November 5, 2021
Subaltern Consciousness in Asghar Farhadi’s The Salesman
October 22, 2021
Towards a Cinema of Empathy: Listening to/with Banietemad’s The May Lady
October 8, 2021
Poetic Pictures: The Feminization of Iranian Cinema
October 1, 2021
Multilinguality in Iranian Cinema
September 24, 2021
Iranian Internet Cinema: A Cinema of Embodied Protest
September 10, 2021
Allegory and Allegoresis in Iranian Cinema
July 9, 2021
A Metropolis on the Screen: Urban Transformations, Characters, and Conflicts in Iranian Cinema
June 25, 2021
Male-Female Relationship in Post-Revolutionary Iranian Cinema
June 4, 2021
Iranian Cinema and International Film Festivals: A Crossroads between Arts and Politics
May 21, 2021
From Golden City to Felestin: The Onomastics of Cinema Halls in Tehran
April 23, 2021
Women Depicting Freedom of Movement in Iranian Cinema
April 9, 2021
Pioneer Female Directors, Writers and Producers in Iranian Cinema
March 19, 2021
Precarity and Possibility: The Labor of Underground Video Dealers in Iran
March 5, 2021
Rakhshan Banietemad’s Social Realism
February 19, 2021
The International Reception of Iranian Cinema, 2000-2013
February 5, 2021
